As a photographer and a programmer at ASBL Recyclart (Brussels) since 2002, Vincen Beeckman is a « creator of a protean work » (Jean-Marc Bodson, 2018).

His work is exhibited in Belgium (FOMU, ISELP, Wiels, Bozar, Central for Contemporary Art, Foundation A, Galerie Eté 78, Gallery A), and across Europe, especially in Germany, Lithuania, Portugal, Switzerland, France, Italy and Latvia.

Vincen Beeckman is an unconventional photographer. He is a performer, an actor of photography, he develops photographic projects involving the local population: he exhibits in public spaces or distributes disposable cameras to migrants. He makes pictures « with people, all people. (...) without worrying about reproducing a style, or even less, to conform to the labels of contemporary art » (J-M Bodson). 

As an unconventional photographer, Vincen Beeckman lets himself being guided by his camera. He captures still life, neither beautiful nor ugly, just being on his path. This one comes with a story, that of the Invisible Cowboy.

For PhotoBrussels Festival, Vincen Beeckman brings out a series of still lifes captured during his trips through the United States. 

At the end of his journey, Vincen received, through a chance encounter, notebooks written more than ten years ago by a stranger. Intrigued by these, Vincen asked Kasper Demeulemeester to go through them and rework parts of the different letters into a text that could be shown to the public together with a selection of his photographs.

"One of the interesting things about the notebooks is that they also contained loose papers, mostly lists. The writer, let's call him the Invisible Cowboy, must have added them while traveling through the US. One list was of people he collected, names, brief descriptions, and places where he met them. A second one was composed of all the things he ate along the way, which didn't seem like much, or he must not have been keeping track of his menu very well. Another one was peculiar. It consists of all the words the Invisible Cowboy didn't understand in Blood Meridian, the 1985 novel by Cormac McCarthy. In this novel, the story follows a young nameless rider, who joins a band of scalp hunters around the middle of the 19th century. As they roam the South-West of the US and the north of Mexico, spreading death and destruction wherever they come. It seemed interesting to add these words to the exhibition too, as they are all words that have been part in the creation of the (myth of the) American West. Cowboy words, murder words, words reduced to formal objects as their meaning was unknown to our writer." (Kasper Demeulemeester)